The Cole-o-ween festivities roll on here at Lantern HQ! This time around we are discussing one of our favorite underappreciated zombie classics, Let Sleeping Corpses Lie (Grau, 1974). This one has it all – beautiful locations, social commentary, hideous reanimated dead, and genuine scares. It acts as a bit of…
Episode 168 – The Invisible Man
Is there anything you find impossible to watch? Or how about just very difficult? For me, The Invisible Man (Whannell, 2020) is that film. I do have some personal history that makes what Cecelia is going through exceptionally poignant, but even without that sort of connection, I suspect a lot…
Episode 142 – Halloween
In Halloween (Green, 2018), it is forty years after the 1978 babysitter murders that destroyed the peace of Haddonfield, Illinois, and shattered Laurie Strode’s life. In this “recalibration” of the original, Laurie is now a grandmother and a self-described basket case. She is also a mother who raised her only…
Episode 141 – A Dark Song
It’s the best time of the year once again! Cole-o-ween 2020 is upon us and to kick off the proceedings I have chosen one of my favorite horror films from the last few years, A Dark Song (Gavin, 2016). This is a harrowing and incisive portrait of a woman consumed…
Episode 114 – The Babadook
Jennifer Kent, the writer and director of The Babadook (2014), crafted the story of an exhausted widowed mother and her demanding 6 year-old into a psychological horror film about facing up to the darkness within ourselves. Those of you who are parents, and even those of us who are not,…
Episode 112 – Jaws
Are you still afraid to go into the water? Does the specter of a killer shark still haunt you, 44 years after that monster first broke the water’s surface in Jaws (Spielberg, 1975)? It absolutely haunts me, though I love the water and still take every opportunity to get in…
Episode 087 – Get Out
In the groundbreaking Get Out (2017), director and writer Jordan Peele wove together terror, horror, dark satire, and laugh out loud comedy to create something much larger than the sum of its very interesting parts. He has alternatively called the film a social thriller and a documentary. To understand that…