Rope (1948) is Alfred Hitchcock’s almost perfect crime. Based loosely upon the real life case of Leopold and Loeb, it was Hitchcock at his most experimental, plumbing the chilly depths of the murderous impulse. It featured limited cuts and long, unbroken takes to approximate the appearance of the real time…
Episode 056 – Rear Window
Rear Window (Hitchcock, 1954) has always been one of my favorites, and having too much time on one’s hands while the summer heat drives one crazy was really speaking to me. I’ve seen the film over a dozen times, and I can fall into the habit of watching it, but…